Resume

 

Lives and works in New Orleans, Louisiana

1996
MFA, Painting, University of New Orleans
1981
BFA, Painting, Newcomb College of Tulane University


Solo Exhibitions

2025 (upcoming)
New Work, Ferrara Showman Gallery, New Orleans, LA

2023
Across space and time (the Divine Feminine), Jonathan Ferrara Gallery, New Orleans, LA 

2021-22
Anastasia Screamed in Vain (painting on loss, longing and love), Jonathan Ferrara Gallery, New Orleans, LA

2019
Destiny is Destiny (sing my song), Jonathan Ferrara Gallery, New Orleans, LA

2018-19
mama, a site-specific installation, McNay Art Museum, commissioned by the museum, San Antonio, TX

2017
Sisters, Jonathan Ferrara Gallery, New Orleans, LA

2015
Reckless Daughter (in real time), Octavia Art Gallery, Houston, TX

2013
Ritual Devotion (Two), Octavia Art Gallery, New Orleans, LA (catalogue)
Ritual Devotion, Zoya Tommy Contemporary, Houston, TX (catalogue)

2011
Washed (to the sea and other waters), Heriard-Cimino Gallery, New Orleans, LA

2009
Automatics, Heriard-Cimino Gallery, New Orleans, LA

2004
Linked: New Paintings, Heriard-Cimino Gallery, New Orleans, LA

2001
700 ft. square, Heriard-Cimino Gallery, New Orleans, LA

1998
6 Medium Sized Paintings, Still-Zinsel Gallery, New Orleans, LA

1996
1 painting 8 times, The Mermaid, New Orleans, LA
Recent Paintings, Still-Zinsel Gallery, New Orleans, LA

1989
drawings, x art gallery, New Orleans, LA

1988
Abstract Works on Paper, Bienville Gallery, New Orleans, LA

1986
Recent Drawings, Bienville Gallery, New Orleans, LA

1984
Anastasia Pelias Antippas, Bienville Gallery, New Orleans, LA


Site-Specific Installations

2021-22
Prospect.5: Yesterday we said tomorrow, curated by Diana Nawi and Naima Keith, New Orleans, LA

2020
The Odeon Mural, commissioned by Domain Companies, The Odeon at South Market, New Orleans, LA

2019
Etsi Einai I Zoi (So is Life), supported by the Skopelos Foundation for the Arts, Skopelos, Greece

2018-19
mama, McNay Art Museum, commissioned by the museum, San Antonio, TX

2016
Send the Power Through the Foam, Mermaid Lounge Reunion, The Truck Farm, New Orleans, LA

2015
Poydras Painting, Crevasse 22, Prospect.3 Satellite, Poydras, LA

2014
'Nostalgia is, so to speak, epidemic in New Orleans' - Harry Pelias, December 1971 (lemon yellow, translucent golden green, natural bohemian earth, manganese cerulean, indigo), Alluvial Constructs, Octavia Art Gallery, curated by Laura Sandoval, New Orleans, LA

2008
The Apostolic Project, supported by ArtInAction, Holy Cross, LA (with Frahn Koerner and Rian Kerrane)  

2000
In the Moment, The Mermaid Lounge, New Orleans, LA

1997
It works for me, baby, The Mermaid Lounge, New Orleans, LA

1996
Controlling the Gesture, Lakefront, New Orleans, LA


Selected Group Exhibitions

2023
School’s Out for Summer, Rockaway Artist Alliance, curated by Christopher Saucedo, Rockaway Beach, NY
Knowing Who We Are: A 20th Anniversary Exhibition, Ogden Museum, New Orleans, LA

2022
Per(Sister): Incarcerated Women of the United States, Syracuse University Art Museum, curated by Monica Ramirez-Montagut, Syracuse, NY

2021-22
Prospect.5: Yesterday we said tomorrow, curated by Diana Nawi and Naima Keith, New Orleans, LA

2021
The Right To Breathe/A Virtual Exhibition, Undercurrent, curated by Dr. Sozita Goudouna/Greece in USA, Brooklyn, NY
Per(Sister): Incarcerated Women of the United States, MSU Broad, curated by Monica Ramirez-Montagut, East Lansing, MI

2020
Per(Sister): Incarcerated Women of Louisiana, Ford Foundation Gallery/Ford Foundation, curated by Monica Ramirez-Montagut, New York, NY
35x35 Art Project, Copelouzos Family Art Museum, Athens, Greece

2019
Per(Sister): Incarcerated Women of Louisiana, Newcomb Art Museum of Tulane University, curated by Monica Ramirez-Montagut, New Orleans, LA

2018
Constructing the Break, Contemporary Arts Center, curated by Allison M. Glenn, New Orleans, LA
Vessels of Mercy, Vessels of Wrath, Barrister’s Gallery, curated by Serge Loncar, New Orleans, LA
The Whole Drum Will Sound: Women in Southern Abstraction, Ogden Museum of Southern Art, curated by Bradley Sumrall, New Orleans, LA

2017
Trans Allegoria Treasure Hunt, Mykonos Biennale, Delos, Greece

2016
“A Building With A View”: Experiments in Anarchitecture, Contemporary Arts Center, curated by Andrea Andersson, New Orleans, LA
Bayou Moderne: 20th Century to the Present, Louisiana State University Museum of Art, curated by Sarah Clunis, Baton Rouge, LA
mara/thalassa/sea, three-person exhibition, TuckUnder Projects, Minneapolis, MN (with sculptor Rian Kerrane and photographer Melissa Borman)

2015
Locally Sourced, Katzen Arts Center, American University, Washington DC
Crevasse 22: Surge, a Prospect.3 satellite exhibition, Poydras, LA

2014
LA to TX, Octavia Art Gallery, Houston, TX
Reparation: Contemporary Artists From New Orleans, Prospect.3 satellite exhibition, New Orleans Museum of Art, curated by Diego Cortez, New Orleans, LA (catalogue)
Alluvial Constructs, Octavia Art Gallery, curated by Laura Sandoval, New Orleans, LA
Water Works, Proteus Gowanus Gallery, curated by Christopher Saucedo, Brooklyn, NY

2013
Southern Abstraction from the Permanent Collection, Ogden Museum of Southern Art, New Orleans, LA

2012
TODAY'S VISUAL LANGUAGE: Southern Abstraction, A Fresh Look, Mobile Museum of Art, curated by Paul W. Richelson and Donan Klooz, Mobile, AL (catalogue)
Everything All at Once, Antenna Gallery, New Orleans, LA

2011
Constant Abrasive Irritation Produces the Pearl: The Disease of the OysterProspect.2 Biennial Satellite Exhibition, The Pearl, curated by John Otte, New Orleans, LA
Catalyst, Space 301, Centre for the Living Arts, co-sponsored by the Joan Mitchell Center, curated by Robin Wallis Atkinson, Mobile, AL
Domains, Parameters and Wanderings, Acadiana Center for the Arts, curated by Brian Guidry and Reggie Michael Rodrigue, Lafayette, LA

2010
mara/thalassa/kai: the SEA, three-person exhibition, Edge Gallery, Denver, CO (with sculptor Rian Kerrane and photographer Melissa Borman)     

2009
HxWxD: Thirty Years of MFA at UNO, The University of New Orleans St. Claude Gallery, New Orleans, LA

2008
Entr’acte, Prospect.1 Biennial Satellite Exhibition, Bush Antiques, curated by John Otte, New Orleans, LA
   
2006
Drawn to the Wall, two-person exhibition, Eichold Gallery, Spring Hill College, curated by Wanda Sullivan, Mobile, AL (with artist David Wilson) 
Fête des Femmes Group Invitational Exhibition, Carroll Gallery, Newcomb College of Tulane University, New Orleans, LA                            
COLOR, space 301, Centre for the Living Arts, Mobile, AL

2005 
Motion/Stasis, Carroll Gallery, Newcomb College of Tulane University, curated by Laura Richens, New Orleans, LA                

2004
Recent Acquisitions, Ogden Museum of Southern Art, New Orleans, LA

2003
Cerebration, Art Off Centre, Space 301, Centre for Living Arts, Mobile, AL

2002
The Port Louis Art in Embassies Program Exhibition, United States Embassy Port Louis, Mauritius, 2002-2004

2001
Sextablos: works on metal, Augen Gallery, Portland, OR

2000
100-Mile Radius: New Orleans, Pensacola Museum of Art, Pensacola, FL
7 Muses, Heriard-Cimino Gallery, New Orleans, LA
In the moment, The Mermaid, New Orleans, LA

1998
Guns in the Hands of Artists, District of Columbia Arts Center, Washington, DC 

1997
Entergy Louisiana Open, Contemporary Arts Center, curated by Marti Mayo, New Orleans, LA
It works for me, baby, The Mermaid, New Orleans, LA

1996
Louisiana Abstraction, Clark Hall Gallery, Southeastern Louisiana University, Hammond, LA     

1995
Gallery Artists Group Show, Still-Zinsel Gallery, New Orleans, LA

1994
Under-XPosed, Contemporary Arts Center, curated by Lew Thomas, New Orleans, LA

1993
Group Show, Tilden-Foley Gallery, New Orleans, LA

1987
Spring Centennial Alumnae Exhibit, Newcomb College Center for Research on Women, Newcomb College of Tulane University, New Orleans, LA
Suzanne Tanner/Anastasia Pelias Antippas, two-person exhibition, Bienville Gallery, New Orleans, LA

1985
Group Show, Bienville Gallery, New Orleans, LA


Honors/Awards

2024
Selected Artist, Art in Embassies Program, United States Embassy, Georgetown, Guyana
Artist in Residence, Art Farm at Serenbe, Chatt Hills, Georgia

2022
Presenter, The Architecture of Confinement Conference, Princeton University, Princeton, NJ

2021
The Mellon Foundation Monuments Project Grant supporting Prospect.5 commission

2020-21
Artist in Residence, The Joan Mitchell Center, New Orleans, LA

2019
Artist in Residence, The Skopelos Foundation for the Arts, Skopelos, Greece
Visiting Artist, University of Colorado Denver

2018
Artist in Residence, The Hambidge Center for Creative Arts and Sciences, Rabun Gap, GA

2017
Selected Artist, New American Paintings, No. 130, 2017, The Open Studio Press, curated by Veronica Roberts

2012
Artist Career Advancement Grant, Louisiana Division of the Arts, New Orleans, LA
Selected Artist, The Drop, A Project of Pelican Bomb, New Orleans, LA

2011
Presenter, Catalyst Exhibition Preview, It’s Gonna Be Alright, Baby, Joan Mitchell Center, New Orleans, LA

2010
Selected Artist, Creative Capital Professional Development Program, sponsored by the Louisiana Division of the Arts, Baton Rouge, LA
Artist in Residence, New Orleans Center for Creative Arts, New Orleans, LA

2009
Louisiana Cultural Economy Foundation Economic Opportunity Grant

2003
Selected Artist, Art in Embassies Program, United States Embassy, Port Louis, Mauritius

1997
Selected Artist, New American Paintings, No. 9, 1997, curated by Steven T. Zevitas

1988
Curator, “Harold Carney: A Memorial Exhibition,” Bienville Gallery, New Orleans, LA


Selected Bibliography

Joe Craig, “Across Space and Time (The Divine Feminine) by Anastasia Pelias at JONATHAN FERRARA GALLERY,” Burnaway, August 12, 2023, https://burnaway.org/daily/across-space-and-time-anastasia-pelias-jonathan-ferrara-gallery-nola/

Michelle Miller, CBS Saturday Morning, New Orleans art exhibition tackles issues that affect the city: "Climate change, social justice, these are issues that affect all of us,” February, 5, 2022, https://www.cbsnews.com/news/new-orleans-prospect-exhibition-black-culture-impact/#app

Laurence Ross,  “An Artist’s Altar to Divine Feminine Energy,” Hyperallergic, January 21, 2022, photos, https://hyperallergic.com/706289/an-artists-altar-to-divine-feminine-energy/

Caitlin Duerler Chávez, “Prospect.5 New Orleans Reconsiders the Past to Envision a New Future,” Glasstire, December 27, 2021, photo, https://glasstire.com/2021/12/27/prospect-5-new-orleans-reconsiders-the-past-to-envision-a-new-future/

Naima J. Keith and Diana Nawi, “Prospect.5 New Orleans: Yesterday we said tomorrow,” Essay by Andy Johnson, Rizzoli Electa, November 23, 2021, photos

Ben Davis, “In Pictures: See the Sharp, City-Spanning Art From the Long-Awaited Return of the Prospect New Orleans Triennial,” artnet news, November 11, 2021, photo, https://news.artnet.com/art-world/in-pictures-prospect-new-orleans-triannials-2021-2033303?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=Morning%20US%20Newsletter&utm_term=US%20Daily%20Newsletter%20%5BMORNING%5D

Chadd Scott, “Prospect.5 New Orleans Triennial Hopes To Deliver ‘Joy’ To City,” Forbes, November 6, 2021, photo, https://www.google.com/url?rct=j&sa=t&url=https://www.forbes.com/sites/chaddscott/2021/11/06/prospect5-new-orleans-triennial-hopes-to-deliver-joy-to-city/&ct=ga&cd=CAEYACoUMTMwOTI4Njk3MzA3NjUyNDc4NjEyGjkzOTU2OWNmNTExMTEwNDc6Y29tOmVuOlVT&usg=AFQjCNHUYdrJswnY3Qz5miNn5OA_XaxmrQ

Taylor Dafoe, "Prospect New Orleans Made ‘a Million Compromises’ to Open. Here’s How Organizers Pulled It Off Without Compromising the Art,” artnet news, November 1, 2021, photo, https://news.artnet.com/art-world/pandemic-presidential-election-hurricane-fifth-edition-prospect-five-finally-open-2028653?fbclid=IwAR2naceSdwKZF1zACCpaoQHI8psJLwW87p20-lsQ01gTJRT4ErJJCTbSge8

Alexandra Kennon, “Yesterday we said tomorrow” Prospect New Orleans returns for its fifth iteration, with a theme perhaps too apt," Country Roads, October 25, 2021, photo, https://countryroadsmagazine.com/art-and-culture/visual-performing-arts/“yesterday-we-said-tomorrow”/

Doug MacCash, “An ‘anti-monument’ in New Orleans takes a feminist view of ancient history,” The Advocate, October 21, 2021, photos, https://www.nola.com/entertainment_life/arts/article_8b86142e-31eb-11ec-a8eb-6b889b4fba65.html

Hilarie M. Sheets, “A Show With Its Host City, New Orleans, as the Protagonist,” The New York Times, October 20, 2021, https://www.nytimes.com/2021/10/20/arts/prospect-new-orleans-art-festival.html

Taylor Dafoe, ”Simone Leigh, Glenn Ligon, and Five Other Artists Will Create New Works About the Future of Monuments for Prospect New Orleans,” artnet news. February 9, 2021, https://news.artnet.com/art-world/prospect-new-orleans-new-commissions-1942675?fbclid=IwAR0s1JH3fnSclxU3Ytsmyry-FW8qeFLcFRH0eAI12KNqsQGZAilv7aayCIE

Will Coviello, “Prospect New Orleans receives $2.5 million in grants for artwork on monuments,”  Gambit, February 9, 2021, https://www.nola.com/gambit/news/article_24fa18f8-6b27-11eb-8012-b3a1016854c4.html

“In the Studio| Anastasia Pelias,” Joan Mitchell Foundation, December 11, 2020, https://vimeo.com/489472305

Laura Feinstein, ‘(PER)SISTER’ AT THE FORD FOUNDATION PUTS A HUMAN FACE ON AMERICA’S INCARCERATION EPIDEMIC, ALL ARTS, May 1, 2020, photo, https://allarts.org/2020/05/persister-ford-foundation-women-incarceration-exhibition/

“Interview with PerSister Syrita Steib and Artist Anastasia Pelias,” Newcomb Art Museum of Tulane University, April 10, 2020, https://vimeo.com/405204452

Caroline Goldstein, “Struggle, Loss, and Persistence Underscore the Ford Foundation’s Powerful New Exhibition About Female Prisoners in America,” artnet news, March 26, 2020, photo, https://news.artnet.com/exhibitions/persister-ford-foundation-1817043

'"mama" at McNay Art Museum, KLRN Television, January 30, 2019, https://www.youtube.com/watch?v=JGHv2VNhTCg&feature=youtu.be

“New Outdoor Installation Activates Museum Grounds at McNay Art Museum,” Art & Object, January 23, 2019, photos, https://www.artandobject.com/news/new-outdoor-installation-activates-museum-grounds-mcnay-art-museum

Diane Mack, "Inside The Arts: ICONS, MLK-Chávez Luncheon, (Per)Sister Exhibit," WWNO New Orleans Public Radio, January 15, 2019, https://www.wwno.org/post/inside-arts-icons-mlk-ch-vez-luncheon-persister-exhibit

“Anastasia Pelias: now on view at McNay Art Museum in San Antonio,” ArtDaily, January 4, 2019, photo, http://artdaily.com/news/110277/Anastasia-Pelias--mama-now-on-view-at-McNay-Art-Museum-in-San-Antonio#.XEKd0S2ZPOS

Bryan Rindfuss, “The McNay Expands Outdoor Sculpture Collection with Monumental Work by New Orleans Artist Anastasia Pelias,” San Antonio Current | ARTSLUT, January 3, 2019, photo and video, https://m.sacurrent.com/ArtSlut/archives/2019/01/03/the-mcnay-expands-outdoor-sculpture-collection-with-monumental-work-by-new-orleans-artist-anastasia-pelias

Lee Escobado, “The Whole Drum Will Sound: Women in Southern Abstraction, New Orleans, USA,” Terremoto, July 28, 2018, photos, https://terremoto.mx/the-whole-drum-will-sound-women-in-southern-abstraction-at-ogden-museum-of-southern-art-new-orleans-usa/

Terrington Calás, "Women & Southern Abstraction," The New Orleans Art Review, vol. 34, no. 3, pp. 04-07, Spring 2018

Veronica Roberts, New American Paintings, No. 130, pp. 94-97, 2017, The Open Studio Press, Boston, MA, photos, https://newamericanpaintings.com/artists/anastasia-pelias

Mykonos Biennale, 2017, https://mykonosbiennale.com/artfestival/artist/anastasia-pelias/

Laurence Ross, “Modern Mythology: Anastasia Pelias at Jonathan Ferrara Gallery,” Pelican Bomb, January 20, 2017, photos, http://pelicanbomb.com/art-review/2017/modern-mythology-anastasia-pelias-at-jonathan-ferrara-gallery

D. Eric Bookhardt, “Anastasia Pelias at Ferrara,” New Orleans Art Insider, Gambit Weekly, January 15, 2017, photos, http://www.insidenola.org/2017/01/anastasia-pelias-at-ferrara-kikuo-saito.html?m=1

Sylvie Contiguglia, “Variations,” Art E-Walk, January 8, 2017, photos, http://arte-walk.blogspot.com/2017/01/variations.html

“Anastasia Pelias,” ArtHouston Magazine, issue 2, p. 51, Houston, TX, February 2016, photo, https://issuu.com/johnbernhard/docs/arthouston_magazine2

Terrington Calás, “On Method & Meaning,” The New Orleans Art Review, vol. 32, nos. 1-2, pp. 4-7, October/November/December 2013, photos, http://www.neworleansartreview.org/uploads/4/3/5/8/43585085/__305361_noar_winter2014.pdf

Benjamin Morris, “Anastasia Pelias at Octavia Art Gallery,” Pelican Bomb, November 26, 2013, photos, http://www.pelicanbomb.com/read/review-anastasia-pelias-at-octavia-art-gallery/

Lilly Wei, “Dreams, Shadows, Flow,” exhibition catalogue, Ritual Devotion, Octavia Art Gallery, New Orleans, LA, 2013

Anna Tahinci, PhD, “Contemplative Color Field: Anastasia Pelias’ Ritual Devotion at Zoya Tommy Contemporary, Houston,” exhibition essay, 2013

“TODAY'S VISUAL LANGUAGE: Southern Abstraction, A Fresh Look,” exhibition catalogue, Mobile, AL, 2012, photos

Kathy Rodriguez, “The Sea Links and Cools,” The New Orleans Art Review, vol. 30, nos. 3-4, pp. 25-27, March/April/May 2012, photos, http://www.neworleansartreview.org/uploads/4/3/5/8/43585085/__noar-spring-2012.pdf

Wesley Stokes, “Last Call: The Pearl,” Pelican Bomb, January 18, 2012, photo, http://www.pelicanbomb.com/read/last-call-the-pearl/ 

Sylvie Contiguglia, “Color is the Subject,” Art E-Walk, December 15, 2011, photo, http://arte-walk.blogspot.com/2011/12/color-is-subject.html

Robin Wallis Atkinson, “Catalyst: Artists of Southern Louisiana Respond to the Gulf Oil Crisis,” exhibition catalogue, Mobile, AL, 2011, photo

Studio Visit: Volume Sixteen, The Open Studios Press, p. 166, 2011, photo

Reggie Michael Rodrigue, “Domains, Parameters and Wanderings,” exhibition catalogue, Lafayette, LA, 2011, photos

Reggie Michael Rodrigue, “Sea Changes: The Art of Anastasia Pelias,” Hyperallergic, July 19, 2011, photos and videos, http://hyperallergic.com/29186/anastasia-pelias’-sea-change

Kathy Rodriguez, “ ‘Thalassa, thalassa!’ Two Local Art Exhibits Explore Linking Power of the Sea,” NOLA Defender, July 1, 2011, photo, http://noladefender.com/content/thalassa-thalassa

Karl Volkmar, “HxWxD Thirty Years of MFA at UNO,” exhibition catalogue, 2009, photo

Karl Volkmar, “Trentennial: MFA at UNO,” The New Orleans Art Review, 2009 

Terrington Calás, “Muses: Anti-trend,” The New Orleans Art Review, 2009

Magali Marc, “Anastasia Pelias AUTOMATICS,” 2009, video

Dominique Nahas, “Tiresias Reflex: The Automatics of Anastasia Pelias,” catalogue essay, 2009, photos

Melissa Bienvenu, “The Eyes of the World are Upon Us - Again,” Country Roads Magazine, November 2008, photo

Renée Peck, “Studio reflects artistic healing after Katrina,” The Times-Picayune, Inside Out, August 9, 2008, pp. 6-7, photos

Doug MacCash, “Rising with the Tide,” The Times-Picayune Lagniappe, April 18, 2008, photo 

“Intersection/New Orleans, featuring 25 Artists and 25 Writers from New Orleans,” Press Street, 2006, p. 26, photo

Art in Embassies Program, United States Embassy Port Louis, Mauritius, exhibition catalogue, Miss April, February 2003, p. 14, photo

Terrington Calás, “An Uneasy Equilibrium,” The New Orleans Art Review, vol. 18, no. 4, pp. 32-33,March/April 2001, photo     

Doug MacCash, “Throwing a Curve,” The Times-Picayune Lagniappe, February 2, 2001, photos

D. Eric Bookhardt, “Viewing the Muses,” Gambit Weekly, June 27, 2000

Marian McLellan, “Reflecting,” The New Orleans Art Review, vol. 16, no. 5, pp. 42-44, May 1998, photo

Steven T. Zevitas, New American Paintings, No. 9, pp. 92-93, 1997, photo

Marti Mayo, “Entergy Louisiana Open,” exhibition catalogue, Contemporary Arts Center, New Orleans, LA, 1997

Marian McLellan, “Anastasia Pelias,” The New Orleans Art Review, vol. 14, no. 4, pp. 18-19, April 1996, photo 

Lew Thomas, “Under-Xposed,” exhibition catalogue, Contemporary Arts Center, New Orleans, LA, 1994, photo

Terrington Calás, “Under-XPosed,” The New Orleans Art Review, vol. 6, no. 4, pp. 4-7, March 1994  

David Rivé, “Private Evolutions,” The New Orleans Art Review, vol. 6, no. 1, pp. 12-13, September 1987, photo

Calvin Harlan, “Antippas at Bienville,” The New Orleans Art Review, vol. 5, no. 3, p. 31, March/April 1986, photo

Luba Glade, “Emerging Artists,” Gambit Weekly, March 24, 1984, photo


Selected Collections 

McNay Art Museum, San Antonio, TX
Newcomb Art Museum, New Orleans, LA
New Orleans Museum of Art, New Orleans, LA
Mobile Museum of Art, Mobile, AL
Bernstein Litowitz Berger & Grossmann LLP, New York, NY
Ogden Museum of Southern Art, New Orleans, LA
Copelouzos Family Art Museum, Athens, Greece
Alexandra Papadopoulou, Ambassador of Greece to the United States, Athens, Greece
Luciano Benetton Imago Mundi Collection
Iberia Bank Art Collection, Lafayette, Metairie and Shreveport, LA
Memorial Sloan Kettering Hospital, Commack, NY
Thomas and Dathel Coleman, The Jimmy Club Sculpture Park, St. Rose, LA
Four Seasons, New Orleans, LA
The Domain Companies, New Orleans, LA
The Benziger Family, Imagery Estate Wine Collection, Sonoma Valley, CA