Anastasia Pelias


Reckless Daughter (In Real Time) | Solo Exhibition Houston, TX

Opening Reception: Friday, October 9th from 6pm – 8pm

October 9 – November 13, 2015

Octavia Art Gallery – Houston is pleased to present Reckless Daughter (in real time), a solo exhibition byNew Orleans-based artist Anastasia Pelias. An abstractionist in the truest form, Pelias works intuitively torender canvases that capture moments and places she has experienced. Using oil paint, gesso, turpentineand gravity, Pelias develops layers of rich color – from dense saturations to lightly veiled washes – withgestural marks that contribute to the palpable energy emitted from each canvas.  The paintings included in Reckless Daughter (in real time) are in many ways linked to previous bodies ofwork, but depart from her nearly monochromatic surfaces. In the newest canvases, Pelias retains theenergetic and emotional charge that is signature to her paintings, while stripping the result down to its mostdistilled and immediate form. This method achieves a fluid vibrancy, tactility and, in places, patterns ofstriated erosion.

Several pieces in the exhibition are the product of a unique collaboration between Pelias and NicholasPayton – a fellow New Orleanian and Grammy Award-winning musician. Their collaboration began andevolved organically, with neither having a set idea of how they would work together or what the finalproduct would be. While both have worked with other artists in their fields, neither is inclined towardscollaboration. However, Pelias and Payton naturally settled into a work structure on their first meeting. Ineach session, Payton composed a song and Pelias a painting, each working independently on theirrespective compositions. During this process, Pelias and Payton watched and listened to each other so theircollaboration became one of influencing and responding in real-time. This structure lends itself to acollaboration that is not overt, but is nevertheless intrinsically inherent to the work.

In general, demanding artistic output at a set time is antithetical to the creative process. Both Pelias andPayton are typically improvisational and instinctual in their approach to composition. Their sessionstogether reversed that, obliging each to show up at a set time to create. As Pelias explains (and Paytonconcurs), “that’s been the challenge…not only the part about showing up to make something happen…butthe challenge has been to just let this initial impulse, the initial impulses be the painting [or the music].”  What resulted from this arrangement was a commitment to an immediate and condensed structure and,  perhaps surprisingly, two fully formed and impressive bodies of work. For the audience, the results arevisually and sonically compelling and also provide a sense of excitement from knowing that Pelias’  paintings and Payton’s music were created in a ‘one-take’ environment.

Anastasia Pelias received her BFA from the Newcomb College of Tulane University in 1981 and her MFAfrom the University of New Orleans in 1996. Her career spans over thirty years and her work has beenexhibited in both solo and group shows in national galleries and institutions. Pelias’ work is included inprivate and public collections, including the New Orleans Museum of Art, the Ogden Museum of SouthernArt, and the Mobile Museum of Art. This will be the artist’s second solo exhibition in Houston.

Anastasia Pelias